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There are few if any artists from the electronic music domain that studied at a conservatory, much less can write, orchestrate and conduct a full orchestra. BT is completely unique in the electronic music realm as he does this, well... all the time. This month sees BT return to a musical realm in which he is uniquely versed. Since cutting his teeth scoring cult crime caper Go in 1999, the US composer has provided OSTs for an incredible diversity of films. He's written groundbreaking scores for everything from The Fast & The Furious to Oscar winning Monster and even Pixar shorts. In association with Black Hole Recordings, this December sees him release a beautiful intricate, emotionally soaring, orchestral and modular hybrid score. It is one though that presented the composer with a myriad of new and distinct challenges. 'Ittefaq' (English title: 'Coincidence') is the US composers first non-English language film. Written and shot in the twisting, turning, Akira Kurosawa-forged Rashomon-style (where mutually contradictory interpretations of events are presented), BT found himself in uncharted composition territory. To overcome this multi-faceted scoring challenge, while synchronously echoing the fast moving events of the whodunit, BT drew on his most eclectic palette of musical forms to date. Amongst it's 29-track span, BT sits classical instrumentals and cooler, more downtempo electronic pieces (written primarily with a large modular synthesizer), alongside orchestral and symphonically led numbers, in turn featuring any number of sub-styles, techniques and methods. It's a truly remarkable and unique tour de force - wild ride; elucidating the bleeding edge of what is possible in modern score.