Like Renny Harlin's relentless picture, the soundtrack Driven tries it's hardest to appeal to all audiences. There's neo-metal for the headbangers, contemporary country and pop for the racing wives, mild techno for the hip racing fans, blues-rock for the bikers, and redneck country for the rednecks. Such shameless audience pandering worked in the film, since that was the point - and it was very funny to see Harlin and his star/screenwriter/producer Sylvester Stallone trying to cover all their bases, including stilted European racers designed for the international market.
Like Renny Harlin's relentless picture, the soundtrack Driven tries it's hardest to appeal to all audiences. There's neo-metal for the headbangers, contemporary country and pop for the racing wives, mild techno for the hip racing fans, blues-rock for the bikers, and redneck country for the rednecks. Such shameless audience pandering worked in the film, since that was the point - and it was very funny to see Harlin and his star/screenwriter/producer Sylvester Stallone trying to cover all their bases, including stilted European racers designed for the international market.